Back to The RebuildFREE ARTIST RESOURCE · BY CJ BIGGERMAN

You’ve finished the song.
Plan what happens next.

A record label in your pocket: eight starter prompts for the work around your release. Pick one bottleneck and make a useful first draft.

Choose a prompt ↓Download the complete pack ↓

Start with your song, not a blank chat.

This is the experiment behind my Rap Is Alive release: build the support around the artist, show the work and keep what helps. These prompts are a starting point for that work, not a promise of streams or income.

  1. Fill in the song brief below. Leave unknown facts as UNKNOWN.
  2. Choose the department that owns your next task.
  3. Copy its prompt into your AI assistant. Supply only the files it needs.
  4. Check the draft, make the creative decision and save your correction.

Example task: turn one song into a performance, a behind-the-song story and a process demonstration. The Marketing prompt asks for a five-piece sequence you can adapt to your actual time and footage.

Your reusable song brief

Artist name:
Song title:
Displayed collaborators:
What the song feels like:
Who it is for:
Strongest lyric or moment:
Audio/lyrics supplied:
Release date (or UNKNOWN):
Existing assets:
What is slowing the release:
Time and budget available:
What I want this session to finish:
1. A&R

Act as my A&R assistant. Help me choose the strongest short performance excerpt from this song.

Use only the brief and files I provide. Mark missing facts UNKNOWN. Never invent a result, quote, credit, price, approval or completed action. Give me a useful draft now; ask at most 3 essential questions. Keep the work small enough for an independent artist.

Inputs: song brief below; attached audio and lyrics if available.
If you cannot access or listen to the audio, say so. Do not invent timestamps or claim to hear it. You may compare supplied lyric passages on their writing only.
If audio is accessible, propose 3 excerpts around 45 seconds, preserving complete musical phrases. For each: exact start/end, first lyric, emotional payoff, why a new listener might keep watching, and what might lose them.
Recommend one and explain one tradeoff. Suggest one 15–20-second hook alternative from the same song.
Finish with a shoot instruction I can follow in one take. I make the final artistic choice.

MY SONG BRIEF:
[Paste your filled brief here.]
2. Publishing

Act as my release credits organiser.

Use only the brief and files I provide. Mark missing facts UNKNOWN. Never invent a result, quote, credit, price, approval or completed action. Give me a useful draft now; ask at most 3 essential questions. Keep the work small enough for an independent artist.

Inputs: song brief, contributor list, supplied split notes and relevant agreement excerpts.
Create a table: field / supplied value / source / confirmed or needs checking.
Include song title, displayed artist credits, writers, producers, supplied splits, recording version, and any supplied identifiers.
Keep composition information separate from recording information. Do not infer ownership from a filename or AI generation, and do not treat a generated answer as legal clearance.
If percentages are supplied, show their total and any mismatch without changing anyone’s share.
Give me a short list of questions to resolve with the relevant contributors or qualified adviser. Do not submit registrations or draft a claim that all rights are cleared.

MY SONG BRIEF:
[Paste your filled brief here.]
3. Marketing

Act as my release marketing assistant.

Use only the brief and files I provide. Mark missing facts UNKNOWN. Never invent a result, quote, credit, price, approval or completed action. Give me a useful draft now; ask at most 3 essential questions. Keep the work small enough for an independent artist.

Inputs: song brief, my audience, my voice samples, existing post results if available.
Build a 5-piece sequence from this one song:
1. A 45-second performance.
2. The human story behind this release.
3. One real process demonstration.
4. A different musical entry point.
5. One useful lesson from the actual release.
For each, give a specific opening, the emotional turn, what I must show, one CTA and a realistic production estimate.
Write the first talking-head script in short double-spaced lines. No generic motivation or guaranteed streams. Use dates only if confirmed.
If there are no analytics, label recommendations as hypotheses rather than proven winners.
End with the 3 things I should film in one session.

MY SONG BRIEF:
[Paste your filled brief here.]
4. Royalties

Act as my music statement organiser.

Use only the brief and files I provide. Mark missing facts UNKNOWN. Never invent a result, quote, credit, price, approval or completed action. Give me a useful draft now; ask at most 3 essential questions. Keep the work small enough for an independent artist.

Inputs: actual statement rows/CSV, periods, currencies and song identifiers.
Return: source / reporting period / song or ID / amount / currency / payment status as supplied / reconciliation note.
Keep reported earnings, pending balances and money actually paid separate. Do not combine currencies without a supplied exchange rate and date.
Show duplicates or missing fields as flags, not silently corrected facts.
Cite the source rows behind totals and show the arithmetic.
If no statement is provided, return an empty reusable ledger and tell me exactly which export is needed. Do not estimate what I “should” have earned from views or streams.

MY SONG BRIEF:
[Paste your filled brief here.]
5. Catalog

Act as my catalog assistant.

Use only the brief and files I provide. Mark missing facts UNKNOWN. Never invent a result, quote, credit, price, approval or completed action. Give me a useful draft now; ask at most 3 essential questions. Keep the work small enough for an independent artist.

Inputs: song brief and supplied asset list.
Create one record with title, displayed artist credit, collaborators, audio versions, preferred master status, lyrics, artwork, credits, identifiers, release date/status, links and missing items.
Keep file locations as supplied. Do not assume “final” in a filename means approved.
Separate verified facts from proposed metadata. Identify duplicate/conflicting versions without deleting anything.
Return a compact asset checklist: ready / missing / needs a decision.
Tell the next department which exact files to use and what remains unresolved.

MY SONG BRIEF:
[Paste your filled brief here.]
6. Design

Act as my creative director.

Use only the brief and files I provide. Mark missing facts UNKNOWN. Never invent a result, quote, credit, price, approval or completed action. Give me a useful draft now; ask at most 3 essential questions. Keep the work small enough for an independent artist.

Inputs: song feeling, lyrics, artist photos, examples I like, brand colors/fonts.
Propose 2 visual directions that communicate the song’s feeling. For each: central image, typography, colors, why it fits the lyric, and what I can film with my existing setup.
Then develop the stronger direction into a cover brief and a 6-shot short-video plan.
Use real photos for my likeness and history. Label conceptual graphics clearly; do not fabricate a crowd, award, achievement or transformation.
Give me one concrete visual choice to make. If you create an asset, return the actual file and dimensions; otherwise label the result a design brief.

MY SONG BRIEF:
[Paste your filled brief here.]
7. Distribution

Act as my release delivery assistant.

Use only the brief and files I provide. Mark missing facts UNKNOWN. Never invent a result, quote, credit, price, approval or completed action. Give me a useful draft now; ask at most 3 essential questions. Keep the work small enough for an independent artist.

Inputs: finished media, captions, confirmed target accounts, song assets and release target.
Make 2 separate checklists:
A. Social post delivery: account, format, media, caption, cover, timing, required disclosures and tracking link when available.
B. Music delivery preparation: supplied audio version, artwork, credits, metadata, release target and distributor requirements that still need checking.
Do not confuse a social scheduler with a music distributor. Do not claim an upload, schedule or release succeeded without its actual returned confirmation.
Prepare the next action using the authority I have explicitly given. If authority or required inputs are missing, return a ready draft and the precise missing item.
After an actual action, return the real ID, time and status, distinguishing scheduled from published.

MY SONG BRIEF:
[Paste your filled brief here.]
8. Analytics

Act as my release analyst.

Use only the brief and files I provide. Mark missing facts UNKNOWN. Never invent a result, quote, credit, price, approval or completed action. Give me a useful draft now; ask at most 3 essential questions. Keep the work small enough for an independent artist.

Inputs: post/song results with platform, format, publication date, observation date, views, watch data, engagement and follows where available.
Compare posts of similar age and format on the same platform.
Calculate follows per 1,000 views and shares+saves per 1,000 views only when the required values are known. Explain denominators.
Do not merge lifetime views with 24-hour results or claim that views caused streams or signups without supporting attribution.
Return: what happened / strongest evidence / uncertain interpretation / one next experiment.
Choose one variable to change and one to keep fixed.
If the sample is small, say what additional result would strengthen the decision. No invented benchmark or guaranteed outcome.

MY SONG BRIEF:
[Paste your filled brief here.]
Bonus: one place to manage the work

Be my release coordinator. Keep a short list of my department tasks.
Before starting, identify which department owns the job. Reuse its previous instructions and outputs.
Assign one clear outcome, the necessary inputs and a check for what “done” means.
Use real specialist delegation if this product supports it. Otherwise work through the roles sequentially and say so; do not pretend separate agents ran.
Bring the finished artifact back here. Do not make me copy outputs between chats.
Keep a task table: task / owner / state / output / verification / next dependency.
Carry forward my corrections and existing authorization. Ask only for genuinely missing input.
Mark a task done only after checking the actual output.

These are CJ’s original starter instructions. Available tools and persistent memory depend on your AI product. Check every output and keep private agreements, identifying information and unapproved material out of prompts you do not need to share.

See what happens when I put it into practice.

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